Flemish Painter, 1676-1765  Related Paintings of Michau, Theobald :. | Village Market | Winter Landscape | Peasants at the Market | The Road to the Market. | The Stop at the Country Inn |
Related Artists:
Edward Haytley
British Painter, active 1740-ca.1762,was an English portrait and landscape painter of the 18th century. Little is known about him, but the background of some of his sitters and professional contacts suggest he may have come from Lancashire. Few of his works survive, but he appears to have specialised in the "conversation piece" form popular with the landed gentry of mid-18th century England, a group portrait against an idealised backdrop of the subjects' estates. His works of this form include one of Elizabeth Robinson with her parents, Edward and Elizabeth Montagu, at Sandleford Priory near Hythe, Kent; six portraits of the Stanley family including one of Sir Robert and Lady Bradshaigh in front of Haigh Hall; and two of the Brockman family on its Kent estate, Beachborough, both showing the newly-constructed Temple Pond. One of the latter may include Susanna Highmore, daughter of the portrait painter Joseph Highmore. His best known works are the oil-on-canvas roundels of Bethlem and Chelsea Hospitals donated in 1740, at the behest of William Hogarth, to the Foundling Hospital, London. His last recorded work was a conversation piece of William Milner, second baronet, dated 1764, and he is assumed to have died shortly after this date
Nicolas Froment
French Early Renaissance Painter, ca.1430-1485
PANNINI, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,